Yeah, totally started a blog post mid-May, and got so involved with it, it became an essay, and then, its still not written. I hope to push it into your face soon.

So much stuff is happening right now, so much stuff, that I need to do a blog post to remind you I am alive.


Hello from the Moon.


Please if you haven’t, do buy a copy of 50Signal. We are so close to selling everything we have in stock, and when we do, we are going to re-letter the dialogue of one of the characters because its been pointed out in enough reviews that it disrupts the story the way it is currently written, so we will bow to their wishes, because they’re right and I’m being a luddite.

So why am I encouraging you to buy it now when its going to be re-lettered?

Well because the version we have for sale now is my favorite one, and the one I believe to be the best, and even though it will be easier for people to read it, it won’t look as good. It won’t be as I intended it. I know the idea of a Directors cut of a comic is madness because there is no such thing as a director in comics, but for lack of a better term, this is my directors cut. The harder to understand director cut.

I thoroughly understand the need to create a great product, and an understandable product so that the world can share and enjoy with me my Baby thing, so I’m really happy to have it re-lettered. But I like this one.

Buy it from the link above, or email me directly and for the cost of £5, which includes the postage within the UK, I will send you a copy with a sketch I did in the back.



I appeared on a Podcast recently, and they released not one, but TWO recordings of my voice as I chat stuff about comics and the universe. The lovely, friendly men from Games and Graphics had me on their podcast and I give an apt description of why Batman is a drink driver.

The first one is the proper, REAL interview, and the second on is a short collection of my babblings on Rob Jones’ plan to conquer the universe and how Arnold Schwarzenegger is an abomination. SO MUCH MUSCLE. They did remove my speech on how the more muscular a man gets the smaller his bum gets… so there is a small glory there.

You can hear the proper interview HERE and the random Ramble is HERE

In other news the Leeds based production company Sakerco are making a documentary about me, that I think has a working title of simply; GONZO, which was also the title of a great documentary about Hunter S Thompson released a few years ago (Just googled it and HOLY SHIT it came out in 2008 so I feel old. I saw it at the cinema, loved it, don’t know if you know but I am a massive Hunter S Thompson fan.)  Because the initial trailer has been uploaded to Facebook I can’t share it with you embedded in this post, so, I can link to you here.

My work with Kevin Pospisil on a project called NO LOVE that hasn’t been announced yet has had some concept work posted on line so here it is, enjoy:

no love

More about that soon. Looking forward to a SKYPE session with the man about how we move forward. And I am working on a print that will be for sale soon through the Madius shop, as well as hurtling on with 50Signal 2. Here is the work in progress image I took on my phone from my computer screen in order to tantalize people.

godzillaSome times its hard to be in Madius comics, all I get is Mike Sambrook and Rob Jones sending me messages day and night:

“Oh, I’m working with this great artist on a thing”

“Oh, I’m getting paid to do lettering for a famous comic company”

“Oh, I’m getting funded to piss my name in huge letters in the dust of the surface of the moon”

“Oh, I’m co-writing a version of the Bible with the newly resurrected Mega-Jesus as he rides the great beast from the sea in judgement of Man”

I get to work with myself mostly, and that guys a dick.

To be fair, I am working with two astoundingly talented artists RIGHT now on two comics I am very proud of so I should stop whining.


Have you picked up Island from Image comics?

Its an anthology comic with long stories with no shared theme just being what they want to be and I love it for its adventurousness and creativity. It features work by Brandon Graham and Emma Rios as well as work by Ludroe and an essay by Kelly Sue DeConnick. Worth a read and a monthly release schedule and a thicker, glossier print makes it feel like an object to collect and treasure.

It makes me think more about the collaborative nature of the anthology and the THINGS an anthology can achieve. Papercuts and Inkstains is an Anthology comic that Madius does, but the real purpose of it is to show off Rob Jones as a writer. That’s why Issue 1 was made, in all honestly, to piece together a bunch of shorts that Robin had written and then put them in one place, and then Mike Sambrook has had work in it and then I’ll have a short in issue 3 hopefully. We are sneaking our stuff into his house really.

I’d like to create something like the anthology I was doing a bit back, it was called My World Is Clouds, and it was all about the collaboration betwixt poets and artists, presenting an artist with a poem and seeing what they create. Back in those days I didn’t have the creative network or the money to get something off the ground so it lasted one issue and then went no further. If I didn’t have a billion things to do I’d release it as a PDF.

I think a future plan for Madius would be to be even more experimental with our output and create a title that is just platform to do really weird and original things. Comics have so few limits that you can do almost anything, but with an Indie title you have to be marketable otherwise its your money going out the window. Its a bit of a sad truth, because if you tank as a small press guy you’ve just lost your cash and you have to create that balance between adventurousness and self expression. Sort of like with the Big 2, if no one buys the singles then the story ends.

So yeah, further down the line, I’d like to do something crazy.

Then again these stories really don’t always go as planned. 50Signal was going to be an old style panel a day web-comic, like a newspaper comic, now its a book.

++++++++LIKE ME ON THE FACEBOOK++++++++

Encourage your friends to do so to. Such as, by sending a tweet like the one I prepared below:

Like @Nick_Gonzo on Facebook because he needs all minds to be linked to work his Cosmic Laser

For all you playing along at Home, I just finished reading John Dies At the End by David Wong which is a staggeringly good Horror book which also has the added feature of being organ-rupturingly funny. It is a long book and I read it so quickly because of its palatable blend of fear inducing prose and absurdity. I think that it doesn’t have the swing that other combination genre books have, the fact it can be funny and terrifying on the same page, in the same paragraph, and describe scary things with a familiarity that makes it quite as creepy as it is.

I have now started The Thing by Dylan Trigg which is all about the Phenomenology of Horror, and more specifically, body horror. I haven’t read much of it yet, because I have been distracted by the collected editions of Jonathon Hickman and Nick Pitarra’s The Manhattan Projects which is one of the finest comic series I’ve discovered unaided. No one told me about it, I found it alone and its all the better for it. Anyway, I haven’t read much of Trigg’s book but it is a framing of Phenomenology as that of the Unhuman, adding an alien element to our understanding of our-self and our consciousness. I will write n more about that next week.

Anyway, talk later. I went to a wedding later and ate too much food, so the only logical path to take is to spin a cocoon and come back out as a winged creature.